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  3. Experimental, Alternative, and Underground Publishing in Post-Dictatorship. A Transnational Landscape (1970s-2020s)

Experimental, Alternative, and Underground Publishing in Post-Dictatorship. A Transnational Landscape (1970s-2020s)

Published: March 2026

Contributions

  • Argentine Countercultural Magazines in the 1980s: a Reading in Context

    Evangelina Margiolakis
    pp.–pp.
  • Countercultural Splinters, Cultural Metamorphoses and Artistic Differences in Post-dictatorship Portugal

    Paula Guerra
    pp.–pp.
  • A Memória como Ruína, a Ruína da Memória: (Re)Configurações dos Resquícios de uma Ditadura nos Livros de Artista de Ana Vidigal

    Márcia Oliveira
    pp.–pp.
  • Beyond the Book, but Still Attached: Publishing by Artists in Chile in the 1990s and 2000s

    Mela Dávila Freire
    pp.–pp.
  • Post-dictatorship Re-editions in South America: Two Case Studies from Chile and Uruguay (1970s / 2010s-2020s)

    Marie Boivent
    pp.–pp.
  • Lola Nomdedeu, Clara Beltrán and Uberto Stabile: ‘La imprenta era una plaza’. On Marginal Press in Post-Franco Spain

    Inés Molina
    pp.–pp.
  • Bidayat Magazine: to Radical Beginnings, Slow Thought and Collective Action. Interview with Cynthia Kreichati and Jana Traboulsi

    María Gómez López, Myriam Dalal
    pp.–pp.
  • From Souffles to En Toutes Lettres: Moroccan Independent Publishing Across Generations. Interview with Kenza Sefrioui

    Juliane Debeusscher, Lola Visglerio-Gómez
    pp.–pp.

Email: rha@fcsh.unl.pt

Address: Instituto de História da Arte, Colégio Almada Negreiros, Campus de Campolide (sala 347), 1099-032 Lisboa, Portugal

 

This work is funded by national funds through FCT – Fundação para a Ciência e a Tecnologia, I.P., under the project UIDB/00417/2020.
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