Revista de História da Arte https://rha.fcsh.unl.pt/index.php/rha <p><span style="font-weight: 400;"><em>Revista de História da Arte</em> is an open access art history journal published online by Instituto de História da Arte (IHA; Institute of Art History) (NOVA FCSH), and indexed in ERIH PLUS and DOAJ. It</span><span style="font-weight: 400;"> publishes multi- and cross-disciplinary peer-reviewed articles that critically analyse and address </span><span style="font-weight: 400;">historical and current conditions of art practice and theory in the global field, with a particular focus on Portuguese narratives and discourses, and their global resonances and articulations. Since its inception in 2005, </span><em><span style="font-weight: 400;">Revista de História da Arte</span></em><span style="font-weight: 400;"> has established itself as the leading international journal advancing the field of art historiography, and has created a significant archive of critical and theoretical knowledge which expands conceptions of art history, integrating fields of visual, museum and heritage studies and curatorial and artistic practices, among other disciplines within the social sciences. The journal offers a forum for urgent and emergent dialogues addressing, refining and broadening grammars of art history and theory. It is committed to diverse, creative and experimental approaches that engage with and catalyse post-colonial ecologies of the visual arts.</span></p> <p> </p> <p><span style="font-weight: 400;"><a title="link" href="https://rha.fcsh.unl.pt/index.php/rha/CallforContributions">New Call for Articles</a></span></p> <p><span style="font-weight: 400;"><a title="New Call for Guest Editors" href="https://rha.fcsh.unl.pt/index.php/rha/CallforGuestEditors">New Call for Guest Editors</a></span></p> fcsh en-US Revista de História da Arte 2182-3294 Colonial Echoes and Visual Reconfigurations: Appropriation and Resistance in Brazilian and Portuguese Contemporary Art https://rha.fcsh.unl.pt/index.php/rha/article/view/117 Victor Tuon Murari Copyright (c) 2026 Revista de História da Arte 2026-11-01 2026-11-01 pp Coomonte Íntimo. El escultor de la síntesis de las artes https://rha.fcsh.unl.pt/index.php/rha/article/view/118 Rafael Ángel García-Lozano Copyright (c) 2026-11-01 2026-11-01 pp Contextual Modernism at Santiniketan and the Unfinished Project of Artistic Modernity https://rha.fcsh.unl.pt/index.php/rha/article/view/119 Bilasendu Shil Copyright (c) 2026-11-01 2026-11-01 pp Looking for a Future in the Time after the Revolution: Collective Curating as Solidarity and Commons https://rha.fcsh.unl.pt/index.php/rha/article/view/120 Avital Barak Copyright (c) 2026-11-01 2026-11-01 pp AI-Assisted Curation: Digital co-agency in online exhibitions https://rha.fcsh.unl.pt/index.php/rha/article/view/121 Ana Avelar Tania Sulzbacher Copyright (c) 2026-11-01 2026-11-01 pp O desenho da coleção do Museu Nacional de Arte Antiga (3244 Des) e os púlpitos de três igrejas minhotas: Ordem Terceira de São Francisco em Braga, Divino Salvador em Arcos de Valdevez, e Paroquial de Cambeses em Barcelos https://rha.fcsh.unl.pt/index.php/rha/article/view/122 Nuno M. R. Teixeira Copyright (c) 2026 Revista de História da Arte 2026-11-01 2026-11-01 pp A mitificação do artista pelos estudos almadianos https://rha.fcsh.unl.pt/index.php/rha/article/view/123 João Pedro Carvalho Copyright (c) 2026-11-01 2026-11-01 pp Fragments of Fire. The Berlin State Museums and the reconstruction of a displaced and destroyed collection https://rha.fcsh.unl.pt/index.php/rha/article/view/124 Maria Trabulo Copyright (c) 2026-11-01 2026-11-01 pp